George C. Hyde Aluminum & Brass Rocking Chair, ca. 1928
GUEST:
This is a piece of lawn furniture. It's a rocking chair that my, uh, my grandfather made in the '20s. He did a lot of work in wrought iron. And then transitioned into, uh, aluminum after the war. He made two of these, one for himself and one for his wife. We were visiting my uncle, and my sister sat down in one of them, and was rocking back and forth and said, "Aren't these great?" And he said, "You want one?" And he packaged it up and sent it up to us here in Alaska.
APPRAISER:
And what year did you receive the chair?
GUEST:
We got this chair, we think, in, somewhere in the 2000s.
APPRAISER:
Your grandfather's name was...
GUEST:
George C. Hyde. But he never went by George, he went by Ted. He passed away when I was 24. So we got to spend some summers together and, and, uh, Christmases and things like that. He was very kind and very generous. He had a big sense of humor. And he talked to us about his work a little bit. He said he was always interested in the line. It was the flow of the line.
APPRAISER:
That's amazing.
GUEST:
So one of the things I love about this chair is, this whole hoop right here is one piece that starts here...
APPRAISER:
Right.
GUEST:
...goes all the way around...
APPRAISER:
Right.
GUEST:
...and then ends down here in the curve. He was born in 1899. Left-handed. And, uh, when he went to school, they wouldn't let him be left-handed. They made him learn to write right-handed.
APPRAISER:
Okay.
GUEST:
So he was ambidextrous. He put out a lot of work. And one of the people that was in his community said, "How can you put out this much work this fast?" And Ted said, "Just watch." And so he held the, the work with his left hand - and hammered with the right on it. And when his right arm got tired, he switched the tongs over to the left side, and hammered with the left hand.
APPRAISER:
Wow, well...
GUEST:
And the guy said, "That's not fair."
APPRAISER:
(chuckles): And that's how he got so much produced, right?
GUEST:
Yup.
APPRAISER:
Did metalwork all over, from Greenwich, Connecticut, to Watertown, New York.
GUEST:
Yup. He made andirons, he made fences, he made furniture. He made all kinds of things.
APPRAISER:
This chair was made, I, I'm guessing, late '20s. Marcel Breuer made the Wassily Chair...
GUEST:
Mm-hmm.
APPRAISER:
...in 1925.
GUEST:
Oh.
APPRAISER:
A tubular chair. It was a, one of the first metal chairs.
GUEST:
Okay.
APPRAISER:
Five years later, your grandfather is making this totally modern chair. It could be se, 1970, 1975.
GUEST:
Yeah.
APPRAISER:
Made of aluminum...
GUEST:
Mm-hmm.
APPRAISER:
...which had only been used in America since 1924. He was the cutting edge. This chair is such a revolutionary creation. If you think about it, in 1929, Modernism was going on in Europe. He's making this in America, in Watertown, New York. He's coming up with these, these armrests, which curve, and I sat in it before, when you weren't looking, okay?
GUEST:
(laughs)
APPRAISER:
Sorry-- and it was so comfortable. You told me you rolled it across the lawn.
GUEST:
Right, you can roll it across the lawn to get it where you need to go.
APPRAISER:
I mean, that's brilliant.
GUEST:
Yeah.
APPRAISER:
This is pure Modernism.
GUEST:
Mm.
APPRAISER:
This piece has such a great patina because you have the aluminum, and then you have the aluminum, uh, rivets...
GUEST:
Mm-hmm.
APPRAISER:
...but the seat is brass.
GUEST:
Yup.
APPRAISER:
And I love the, the, the verdigris here at the top...
GUEST:
Yup.
APPRAISER:
...uh, from being outs, outdoors. Can we rock it a little?
GUEST:
Sure, sure.
APPRAISER:
Is that okay?
GUEST:
Go ahead. That's what it's for.
APPRAISER:
That's nice, nice, uh, nice. George C. Hyde is a name that I believe the world of modern furniture is going to know.
GUEST:
Oh.
APPRAISER:
To discover a craftsman like this, who people don't know about, and they should know about, is exciting. A conservative auction estimate on this chair would be $3,000 to $5,000.
GUEST:
Wow. Wow.
APPRAISER:
And I think on a good day, maybe much, much more.
GUEST:
That's great, that's great.
APPRAISER:
An insurance value on this chair...
GUEST:
Yeah.
APPRAISER:
...could easily be $7,500. $7,500.
GUEST:
Wow. Wow, that's crazy. That's crazy.
APPRAISER:
It's, it's fabulous.
Appraisal Details
Executive producer Marsha Bemko shares her tips for getting the most out of ANTIQUES ROADSHOW.
Value can change: The value of an item is dependent upon many things, including the condition of the object itself, trends in the market for that kind of object, and the location where the item will be sold. These are just some of the reasons why the answer to the question "What's it worth?" is so often "It depends."
Note the date: Take note of the date the appraisal was recorded. This information appears in the upper left corner of the page, with the label "Appraised On." Values change over time according to market forces, so the current value of the item could be higher, lower, or the same as when our expert first appraised it.
Context is key: Listen carefully. Most of our experts will give appraisal values in context. For example, you'll often hear them say what an item is worth "at auction," or "retail," or "for insurance purposes" (replacement value). Retail prices are different from wholesale prices. Often an auctioneer will talk about what she knows best: the auction market. A shop owner will usually talk about what he knows best: the retail price he'd place on the object in his shop. And though there are no hard and fast rules, an object's auction price can often be half its retail value; yet for other objects, an auction price could be higher than retail. As a rule, however, retail and insurance/replacement values are about the same.
Verbal approximations: The values given by the experts on ANTIQUES ROADSHOW are considered "verbal approximations of value." Technically, an "appraisal" is a legal document, generally for insurance purposes, written by a qualified expert and paid for by the owner of the item. An appraisal usually involves an extensive amount of research to establish authenticity, provenance, composition, method of construction, and other important attributes of a particular object.
Opinion of value: As with all appraisals, the verbal approximations of value given at ROADSHOW events are our experts' opinions formed from their knowledge of antiques and collectibles, market trends, and other factors. Although our valuations are based on research and experience, opinions can, and sometimes do, vary among experts.
Appraiser affiliations: Finally, the affiliation of the appraiser may have changed since the appraisal was recorded. To see current contact information for an appraiser in the ROADSHOW Archive, click on the link below the appraiser's picture. Our Appraiser Index also contains a complete list of active ROADSHOW appraisers and their contact details and biographies.