1932 Selden Gile Watercolor
GUEST:
I got this about 1965 at a silent auction. And it was to raise money for a scholarship. And I saw the painting and I thought, oh, that is absolutely beautiful. I would love to have it. I didn't know what a silent auction was. Someone explained to me that I should write down a very low number that I would pay for it and others would come along and write higher amounts. So I thought, okay, I can do that. And I wrote down 75 cents. Then I hovered by the table to put down a higher number if somebody else bid on it, which, of course, I expected. And no one else bid on it. I got it for 75 cents, and I was so thrilled to just have it. Absolutely. I would have gone to $10 or $20.
APPRAISER:
Do you know who the painting is by?
GUEST:
It is by Selden Gile.
APPRAISER:
That's right.
GUEST:
And he painted in Northern California in the '30s; I believe earlier, too, maybe '20s and '30s. The lady who donated this to our little silent auction had bought a house that he lived in in Sausalito.
APPRAISER:
Mm-hmm.
GUEST:
And the reason she bought it was because many of his paintings were left in the house after he died.
APPRAISER:
Well, that's a nice provenance to have. And this one is signed and dated down here, "S." And that's "Connor, Gile, 32." So this is 1932 it's painted. But you're quite correct. He was active in those years, in the '20s and '30s. He'd originally come from Maine, but he moved to California just after the turn of the century. And he became a major figure in Californian painting and was associated with a group, "The Group of Six." And they really were a group. They spent a lot of time together, him and his painter chums, and all the artists were influenced by the Panama Pacific Exhibition in 1915, where they would have first become aware of the modern movements, what was happening in Europe. And of course at that time, the Fauve painters were very influential, and this shows all the elements of Fauve painting-- very strong color, lots of sinuous rhythms, all that sort of thing. And he was very popular amongst his friends because he was also a bit of a chef and a great host. They used to have a place in the Oakland hills called "The Chow House." And by all accounts, he was rather disappointed in love with a young lady, and he rather gave up on the girls and hung out with his friends and they'd go hiking and sketching. They threw these great parties, and people like Jack London would come along. And I think actually it was probably the death of him ultimately. He did a little bit too much good living. But in between, he was doing these wonderful paintings. Now, so you bought it in the '60s.
GUEST:
About mid '60s.
APPRAISER:
And 75 cents.
GUEST:
75 cents.
APPRAISER:
And what do you think it might be worth now?
GUEST:
A few hundred? Maybe up to a thousand?
APPRAISER:
This is a very attractive little watercolor. So would you be surprised to hear at auction, probably $5,000 to $8,000?
GUEST:
Oh, my goodness.
APPRAISER:
And I should put that in context. I spoke to one of my colleagues who deals with a lot of Californian paintings, and he suggested at retail, probably somewhere in the $10,000 to $15,000 range.
GUEST:
Uh-huh. Okay. Well, that's a lot of money.
APPRAISER:
So I hope that's good news.
Appraisal Details
Executive producer Marsha Bemko shares her tips for getting the most out of ANTIQUES ROADSHOW.
Value can change: The value of an item is dependent upon many things, including the condition of the object itself, trends in the market for that kind of object, and the location where the item will be sold. These are just some of the reasons why the answer to the question "What's it worth?" is so often "It depends."
Note the date: Take note of the date the appraisal was recorded. This information appears in the upper left corner of the page, with the label "Appraised On." Values change over time according to market forces, so the current value of the item could be higher, lower, or the same as when our expert first appraised it.
Context is key: Listen carefully. Most of our experts will give appraisal values in context. For example, you'll often hear them say what an item is worth "at auction," or "retail," or "for insurance purposes" (replacement value). Retail prices are different from wholesale prices. Often an auctioneer will talk about what she knows best: the auction market. A shop owner will usually talk about what he knows best: the retail price he'd place on the object in his shop. And though there are no hard and fast rules, an object's auction price can often be half its retail value; yet for other objects, an auction price could be higher than retail. As a rule, however, retail and insurance/replacement values are about the same.
Verbal approximations: The values given by the experts on ANTIQUES ROADSHOW are considered "verbal approximations of value." Technically, an "appraisal" is a legal document, generally for insurance purposes, written by a qualified expert and paid for by the owner of the item. An appraisal usually involves an extensive amount of research to establish authenticity, provenance, composition, method of construction, and other important attributes of a particular object.
Opinion of value: As with all appraisals, the verbal approximations of value given at ROADSHOW events are our experts' opinions formed from their knowledge of antiques and collectibles, market trends, and other factors. Although our valuations are based on research and experience, opinions can, and sometimes do, vary among experts.
Appraiser affiliations: Finally, the affiliation of the appraiser may have changed since the appraisal was recorded. To see current contact information for an appraiser in the ROADSHOW Archive, click on the link below the appraiser's picture. Our Appraiser Index also contains a complete list of active ROADSHOW appraisers and their contact details and biographies.