20th-Century Italian Travel Posters
GUEST:
Well when I was stationed in Stuttgart, Germany, they were at flea markets downtown there. One day, a guy had these, they were, they were actually kind of beat up, particularly this one.
APPRAISER:
Define "beat up" for me.
GUEST:
A lot of this, like, I honestly got from watching the ROADSHOW before. It had some water stains, I guess, is what it was, in this upper field here, and then down here, this was really trashed and, and was falling apart. So what I did was, when I got back to the States, I shipped it in a place in New York that does restoration and linen mounting, which is what they call this, and-- again from the ROADSHOW. And I actually paid more for the linen mounting and the restoration, and the shipping that was associated with, than I, than I think I did for the poster. I think I paid 300 marks for both of them.
APPRAISER:
And what is that in dollars?
GUEST:
That was, it was, like... It was around $200, something like that.
APPRAISER:
And how much did you pay to have them restored?
GUEST:
A bit, a bit more than that. It was, it was, like, $100 each. I think I paid a little bit more for this one, 'cause they had to do more work for it. And then the shipping cost back and forth, I bet I'm into them at around $500.
APPRAISER:
I was trying to get you to define "beat up." I think "beat up" might have actually been a nice word. Beat up, put through the wringer, torn, shredded.
GUEST:
They were pretty, they were torn up, yes, sir.
APPRAISER:
If you look closely here, you'll see they've actually recreated paper that was missing. You can see here where they've pieced in some losses, where they've repaired some very prominent creases. One thing I'd like to show people is the whole linen-mounting process. The linen itself is, is like canvas.
GUEST:
Right, feels just like canvas.
APPRAISER:
And on top of that, they have put acid-free paper onto which the poster has then been mounted via a completely reversible process. Now, I always say to people, when they're done professionally, if you were to take this into the bathtub with you, it would float right off.
GUEST:
I don't plan on doing that.
APPRAISER:
And I don't recommend it, either. But it is a completely reversible, museum-quality process. And once the poster has been mounted onto the linen, then they can begin repainting areas, filling in areas. What would you imagine they're worth now?
GUEST:
I'd be speculating, maybe $500 each, it'd be... That's just a guess on my part.
APPRAISER:
It's a fair speculation, but it's wrong. The Bellagio poster I've actually had for auction before. In better condition, okay? And it sold for $1,900.
GUEST:
Wow.
APPRAISER:
In this condition, even with the restoration, I would estimate it at $1,200 to $1,800.
GUEST:
Excellent.
APPRAISER:
All right? And the Lake Garda poster nearer to me, which is in better condition overall-- albeit trimmed on both the top and the bottom-- I would estimate at the same price, at $1,200 to $1,800, bringing the total combined auction estimate of these two pieces at $2,400 to $3,600.
GUEST:
Excellent, nice. We love them, we're keeping them, but that's great.
Appraisal Details
Executive producer Marsha Bemko shares her tips for getting the most out of ANTIQUES ROADSHOW.
Value can change: The value of an item is dependent upon many things, including the condition of the object itself, trends in the market for that kind of object, and the location where the item will be sold. These are just some of the reasons why the answer to the question "What's it worth?" is so often "It depends."
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